Larry David, Seinfeld and Social Networking
The technology of social networking is overrated. You still have to be able to communicate. Cartoons notwithstanding, in social networks everyone does know you’re a dog—and it doesn’t take long to learn it.
Might there be learning in studying those who are not good at networking with others?
A recent New Yorker item describes how workers with the mentally ill have discovered a powerful tool: the comedic stylings of HBO’s Curb Your Enthusiasm, by Larry David (co-creator, with Jerry Seinfeld, of the hit TV show Seinfeld).
Those being studied represented several forms of alienation from society at large (they were schizophrenics, if memory serves me). The researchers discovered that the patients responded to situation comedies portraying social ineptitude. They could relate, it turns out.
The logical endpoint of that insight was Curb Your Enthusiasm. For those who don’t know Larry David’s brilliant show, picture Seinfeld if HBO did it, and every episode had George at its center.
Jason Alexander (Seinfeld’s George) describes an early-season reading where he questioned George’s motivation for something: “I don’t know anyone who would do that.” Larry David responded brightly, “I would.” And Alexander says, “suddenly I understood the George character. It was all Larry.”
Larry David (he plays himself on Curb) is cheerfully, honestly, forthrightly neurotic and self-centered to the nth degree. It’s not that he’s proud of it; he’s just saying that’s what he is.
The fun, of course, is that David is merely more honest than the rest of us. We can laugh at him without directly facing the social pain that his behaviors cause us when we commit them—which we do, all the time. He is our public court jester. He speaks the truth in a socially acceptable manner—as comedy, with a subtext we needn’t publicly acknowledge. But we know it. He’s doing public self-psycho-analysis, and we’re along for the ride.
That’s why he’s a hit with mental patients—and with the rest of us too. We’re not qualitatively different—it’s just a matter of degree. “Sanity” is a wispy line; it’s hard to say where the hill ends and the mountain begins.
It’s an old sitcom formula. Nearly every I Love Lucy episode begins with a prank gone wrong, spiralling out of control. The comedy consists in watching Lucy lie about what’s happening, until the lie is unsustainable, and she must surrender to reality. We relate to her frantic mania, knowing that Ricky will forgive her in the end. On TV, that is. In real life, Ricky rarely forgives—or so we fear.
Every single Seinfeld episode with George is about the inability to maintain a neurotic fiction he has created in the face of a reality-based onslaught. He is owned by his fibs about Vandalay industries and his casual claims about Hamptons real estate. His only success in life comes when he resolves to do everything the opposite of his instincts.
George, Lucy, Larry—they cannot tell the truth in a socially acceptable manner. We learn by watching their comic misery, because we too suffer from that inability, and are alienated from others because of it.
A lot of coming to trust others is learning how to speak the truth in a socially acceptable manner; to marry radical truth-telling with our conventions of propriety.
We learn much of it not by learning lines, or by watching others do it well, or by learning the principles of effective communication. We also learn by watching social train wrecks, made palatable by humor.
We learn many things—like truth-telling—more by seeing negative examples than by seeing positive ones by themselves. Much corporate training is afflicted by an abundance of softened edges, watered-down empathy and general happy-talk. But truth isn’t truth if it has to be constantly watered down. You can’t enable people into overcoming their addictions to neuroticism.
To get along in the social networking world of the future (or of today), don’t just bone up on good behaviors. Make it a point to study disasters too.
Just make sure you’re laughing most of the time.